Vatican Screens The Passion
This part of an interview with a senior theologian speaks to the issue of the alleged guilt of the Jews in particular in Mel Gibson's version of the execution of Jesus:
Q: Does "The Passion" blame anyone for what happened to Christ?
Father Di Noia: That's a very interesting, and very difficult question. Suppose you pose it to someone who was unfamiliar with the Gospel passion narratives until seeing this film.
"Who is to blame for what happened to Jesus?" you ask. The other person pauses for a moment to think about this, and then responds: "Well, they all are, aren't they?" This answer seems exactly right to me.
Looking at "The Passion" strictly from a dramatic point of view, what happens in the film is that each of the main characters contributes in some way to Jesus' fate: Judas betrays him; the Sanhedrin accuses him; the disciples abandon him; Peter denies knowing him; Herod toys with him; Pilate allows him to be condemned; the crowd mocks him; the Roman soldiers scourge, brutalize and finally crucify him; and the devil, somehow, is behind the whole action.
Of all the main characters in the story, perhaps only Mary is really blameless. Gibson's film captures this feature of the Passion narratives very well. No one person and group of persons acting independently of the others is to blame: They all are.
Q: Does "The Passion" blame anyone for what happened to Christ?
Father Di Noia: That's a very interesting, and very difficult question. Suppose you pose it to someone who was unfamiliar with the Gospel passion narratives until seeing this film.
"Who is to blame for what happened to Jesus?" you ask. The other person pauses for a moment to think about this, and then responds: "Well, they all are, aren't they?" This answer seems exactly right to me.
Looking at "The Passion" strictly from a dramatic point of view, what happens in the film is that each of the main characters contributes in some way to Jesus' fate: Judas betrays him; the Sanhedrin accuses him; the disciples abandon him; Peter denies knowing him; Herod toys with him; Pilate allows him to be condemned; the crowd mocks him; the Roman soldiers scourge, brutalize and finally crucify him; and the devil, somehow, is behind the whole action.
Of all the main characters in the story, perhaps only Mary is really blameless. Gibson's film captures this feature of the Passion narratives very well. No one person and group of persons acting independently of the others is to blame: They all are.
